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摘要:在当代,人们越来越重视中国传统文化的发展和输出。唐诗作为中华文化艺术的瑰宝,一直在历史长河中占据着重要地位。但由于中外文化差异和文学审美价值不同,唐诗仍难以走出国门。 因此,本文将围绕“古诗英译”这一主题,以“三美论”—意美,声美,形美为分析框架,借助许渊冲《唐诗三百首》的英译版本进行案例分析和研究,证明“三美论”在古诗翻译中的科学性和实用性,并挖掘许渊冲在古诗英译中的翻译策略和技巧,以引起人们对于中国古诗翻译的重视。
关键词:“三美论”;许渊冲;唐诗翻译
Contents 摘要 Abstract Chapter One Introduction-1 1.1 Research Background-1 1.2 The Purpose and Significance-1 1.3 Structure of the Thesis-2 Chapter Two Literature Review-3 2.1 Previous Studies on the Translation of Classical Chinese Poetry-3 2.2 Previous Studies on Three Beauties Theory-4 Chapter Three An Analysis of Poetry Translation under the Perspective of Three Beauties Theory-7 3.1 Introduction of Three Beauties Theory-7 3.2 An Analysis of Poetry Translation under the Perspective of Three Beauties Theory-7 3.2.1 An Analysis of Semantic Beauty in Poetry translation-8 3.2.1.1 Features of Semantic Beauty in China and Western Countries-8 3.2.1.2 An Analysis of Semantic Beauty in Xu’s Poetry Translation-8 3.2.1.3 Summary-11 3.2.2 An Analysis of Sound Beauty in Poetry Translation-12 3.2.2.1. Features of Sound Beauty in China and Western Countries-12 3.2.2.2 An Analysis of Sound Beauty in Xu’s Poetry Translation-12 3.2.2.3. Summary-14 3.2.3 An Analysis of Formal Beauty in Poetry translation-14 3.2.3.1 Features of Formal Beauty in China and Western Countries-14 3.2.3.2. An Analysis of Formal Beauty in Xu’s Poetry Translation-15 3.2.3.3. Summary-17 Chapter Four Conclusion-18 4.1 Major Findings-18 4.2 Limitation and Further Studies-18 References-20 Acknowledgements |

