摘要：《傲慢与偏见》作为简·奥斯丁的代表作，古今中外不少学者从女性主义批评角度入手，认为其体现了女性意识的觉醒。除此之外，在承认作品具有巨大思想价值的同时，有一点应被意识到，那就是：生活在19世纪英国社会大背景约束下的简•奥斯丁，可能因受到父权制文化秩序长期潜移默化的影响，而致使其心理上所形成的集体无意识对构造的人物形象和故事情节产生了影响。本文将以此为切入点，借用集体无意识和女性主义批评，浅析作品在人物形象和故事情节中所存在的父权制文化秩序的集体无意识呈现。从本论文的探讨中可得知，简•奥斯汀对比早先的女性作家虽然有一些突破，但其不能完全摆脱父权制文化秩序给女性带来的压迫，借此体现父权制意识形态的无孔不入，也希望能带给读者一些启发和深思。

关键词:简·奥斯丁;《傲慢与偏见》;集体无意识;父权制

Contents

摘要

Abstract

Chapter One Introduction-1

1.1 Research Background-1

1.2 Significance of This Project-1

1.3-Research Methodology and Structure-2

Chapter Two Literature Review-2

2.1 Previous Study on Patriarchy in Pride and Prejudice-2

2.2 Previous Study on collective unconsciousness in Pride and Prejudice-4

2.3 Summary-4

Chapter Three Theoretical Framework-5

3.1 Patriarchy-5

3.1.1 The general perspective of patriarchy-5

3.1.2 The feminist perspective of patriarchy-5

3.2-Collective Unconsciousness-6

Chapter Four Analyses on the Collective Unconscious Embodiment of Patriarchy in Pride and Prejudice-7

4.1 Lift the Veil of “Cinderella”-7

4.1.1 “Cinderella” Archetype-7

4.1.2 A Microcosm of the Collective Unconscious Embodiment of Patriarchy-9

4.2 “Good Woman” and “Bad Woman” on Patriarchy-11

4.2.1 The Character of “Good Woman” and Jane-11

4.2.2 The Character of “Bad Woman” and Lydia-13

Chapter Five Conclusion-16

5.1 Summary-16

5.2 Limitations and Suggestions-17

References.

Acknowledgements-